Choreography: Azaria Rianne Hogans Dancers: Shealey Hannigan, Ayu Lockos, Nicole Rivera, Alexis Smith, Jade Zickefoose Music: 4 141 by Michael Wall Costume Design: Jacob Kimrey Light Design: Nate Caskey Artwork: Anonymous street artist Berlin

Choreographer: Azaria Hogans Dancer: Lauren Smith Music: Baião Destemperado by Barbartuques *I do not own the rights to this music

Choreography by: Azaria Hogans in collaboration with dancers Music: “Money” by Indra Rios-Moore (I do not own the rights to this music. For educational purposes) Video Editing: Free Stock Videos edited by Azaria Hogans Performers: Chelsea Deters, Grace Frey, Lillian Krudwig, Elease McFall, Sadie Nehlsen Costume Designer: Samatha Marrow Lighting Designer: Airi Ueda Program note: This piece seeks to examine the micro and macro cyclical patterns of people working to consume, and the larger impacts of consumption for our planet. Inspired by a Cree Nation proverb.

Title: Sky Window Suite Choreography: Azaria Rianne Hogans (in collaboration with 2022 and 2020 casts) Music: Ultranet by Sky Window, Spiral Search by Sky Window, Dream Controller by Sky Window Light Design: Mike Foster Costume Design: Elena Jaquez Performers: Claire Anderson, Courtney Adamson, Chelsea L. Deters, Hattie Geltemeyer, Elyssa Hallgren, Gabrielle Lunn, Elisa Peters, Alexandra Olson, Sadie Nehlsen, Sydney White Photography: Missouri State University Office of Visual Media Videography: Yuying Guo (I do not own the rights to this music)

Title: In Loving Memory Choreography: Azaria Rianne Hogans Music: Memory Lane by Minnie Riperton (edited by Azaria Hogans) Georgia on My Mind performed by Dr. Lyle Q. Foster Light Design: Mike Foster Costume Design: Cynthia Winstead Performer: Azaria Rianne Hogans Photography: Missouri State University Office of Visual Media Videography: Yuying Guo (edited by Azaria Hogans) This dance is in loving memory of Sheila M. Graves. Happy Mother’s Day.

Fear, reclaiming space, and mourning can be cyclical patterns of having to prove one’s humanity to a world that believes one is less than equal. In this dance film, Three Stages of Having to Prove Your Humanity, the stages of proving oneself are revealed, unveiling themselves like abstract chapters. Stage one is likened to being hunted¬ –defenseless and having to constantly prove your innocence. This stage is often riddled with signs and mechanisms to offer warning and caution like a safety vest of code-switching. Stage two, is a reclaiming of space and time, delving deep into the notion of “this is me, take it or leave it.” Here, home, safety, and expression are cultivated. Stage three is the stage of mourning that cannot be escaped if one has found themselves in this cycle to begin with.

Choreography: Azaria Rianne Hogans Dancers: Katie Griffiths, Emily Hughey, Josie Walker Lighting Design: Tabita Cercea Costume Design: Jennifer Lippert Music: Settle Down by Kimbra, 200 Pressure by James Blake, Eartha Kitt Interview on Love and Compromise (edited by Azaria Hogans) *I do not own the rights to this music Sightlines Dance Concert at Missouri State University Spring 2019 Photograph by Jesse Scheve